Matchmove Supervisor

This is a Full Time Job

The Matchmove Supervisor is responsible for running shows as well as supporting and reviewing the work of their facility team. They will work closely with the show team as well as the Matchmove team to ensure they and their facility team provide 3d solutions that precisely recreate the movement & technical aspects of the subject matter. Successful applicants should have the ability to communicate well with neighboring departments, lead a team and be capable of delivering work to meet deadlines.


Key Responsibilities
• Work with Matchmove Production, VFX/CG Supervisors, Producers, DPMs and other departments in delivering the shots on time
• Responsible for supervising an average of 2-3 shows concurrently
• Attend show kickoffs and other show specific meetings
• Be the Matchmove point of contact along with the Matchmove show lead for other departments and show production
• Guide leads with shot briefs and task methodology to maintain the most effective and efficient technical approach and workflow possible
• Oversee requests from show production and provide strategy in cooperation with the show lead
• Assist lead in troubleshooting show technical issues such as problems with retimes, motion blur issues, outsource ingestion, etc.
• Keep an eye on show communication and flag potential issues including the validity of requests made to the department, if requests could be done in a different department (eg. 2d only) or with a more efficient approach
• Assist show lead with shot reviews or ingestions when needed
• Work with HOD for new show setup, including guiding shows with plate resolution and reformatting inquiries, lens grid ingestion, documenting camera specs, etc.
• Manage show 911 requests and how it affects other shot priorities
• Train and supervise new leads
• Be a temp show lead to support shows with shot work for bidding or test projects that don't have a full production or lead yet
• Manage technical communications with outsource vendors
• Help with artists show side IT/Pipeline issues, escalating when necessary

Qualifications • Minimum five (5) years in a similar role within the VFX industry for feature film
• One (1) to two (2) years of experience as a show supervisor
• Firm grasp of 3D tracking principles and toolsets
• Must thrive in a team environment and enjoy working with the team
• Demonstrate a good eye for detail and precision with strong problem-solving skills
• Able to deliver results to a high standard with the aid and direction of the Matchmove & Layout Leads / Supervisors.
• Ability to be adaptable and accepting of changes in a production schedule
• Aware of project schedules and capable of delivering work to deadlines
• Aware of overall team deadlines and schedule; communicating with the department production manager and/or coordinator any and all shifts in scheduled dates
• Software requirements: 3d Equalizer - Advanced, Maya - Advanced, Nuke - Intermediate, Shotgun – Intermediate
• Good communication skills both technically, creatively, verbal, and written
• 3d Studio Max – A plus

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About Us

Scanline VFX is an award-winning leader in the visual effects industry with 7 studios worldwide, including London, Los Angeles, Montreal, Munich, Seoul, Stuttgart, and Vancouver. Since our beginning in 1989, we strive to set the highest standard of quality in everything we do. Through innovation, we generate solutions for our clients and raise the bar - both within our workplace and throughout our industry.

We look for explorers, people who are willing to go to new places and are open to testing, learning and iterating as they go. We believe great ideas come from everyone, so we actively encourage team members to ask questions and present their ideas.

Eyeline Studios

Eyeline Studios, our virtual production division, is rethinking the future of real-time filmmaking by providing content creators with unmatched flexibility. Learn more.

Powered by Netflix

Netflix's investment in our pipeline, infrastructure, and workforce allows us to continue to push the boundaries of what is possible in visual effects. In addition to working on projects for Netflix, we continue to work with a variety of long-standing and new clients.

Come as you are

We are committed to ensuring fair and equal treatment of your application. When you apply for a role with us, you will receive consideration based solely on your qualifications.

We will only consider applicants based in Seoul or surroundings, or those willing to relocate.